We should be learning as much from failure as success

'You do not know what you will find, you may set out to find one thing and end up discovering something entirely different'-Alexander Fleming As the pace at which medicine is advancing continues to accelerate, haematologists will increasingly find themselves practising unfamiliar medicine and using novel treatments. Whilst most scientific breakthroughs hopefully lead to an overall improvement in quality of life and prognosis, it is imperative that enough attention is paid to the shortcomings of new treatments and adverse events. The recent COVID-19 pandemic is a stark reminder of the cyclical nature of history and the need for healthcare professionals to utilise lessons learnt by our predecessors. Fleming and the discovery of penicillin highlights how mistakes in practice can sometimes lead to unexpected but useful revelations. The use of thalidomide as a treatment for hyperemesis gravidarum in the 1960s devastatingly lead to birth defects in thousands of people. Today, the repurposing of thalidomide, through lateral thinking and further study, has contributed to significant improvements in the prognosis of patients with Multiple Myeloma.1 Mortality following allogenic stem cell transplant continues to decrease overtime as knowledge surrounding complications and how to manage these improves, despite the fact that patients receiving stem cell transplants are becoming increasingly complex.2 These examples from history demonstrate the merit in studying adverse events and undesired outcomes. National reviews of patient health records indicate that errors currently occur in 10% of hospital admissions.3 With new treatments and more complex patients this will likely increase. It is estimated that voluntary reporting by healthcare professionals of such events only occurs 70% of the time.3 History should be used to guide essential changes in attitudes towards error reporting and help to create an ethos where 'failings' are more willingly recognised as a tool to guide improvement and innovation.

Digital Asian Shakespeare Festival, 11th World Shakespeare Congress, Singapore, 18–24 July 2021

The 2021 Digital Asian Shakespeare Festival nested within the 11th World Shakespeare Congress in Singapore, ‘where communities of Shakespeare scholars, teachers and practitioners in over 40 countries’ gathered online. Lee Hyon-u, the Festival Director, arranged an astonishing array of Asian performances. Lee wrote of the festival as offering ‘rare opportunities for delegates to enjoy the diversity and depth of Asian Shakespeare while breaking through the barrier of the Covid pandemic’. This article argues that recent Asian Shakespeare productions included in the festival offer inspiration for those staging Shakespeare worldwide as the arts attempt to recover from the pandemic. © The Author(s) 2021.